Elliot Strunk Elliot Strunk

Talkin’ ‘Bout My Generation

Our two recent posts about collecting have focused on the purposeful and the accidental. Let’s go even bigger. Let’s talk about the collective memory of a generation. A Gen X doc, Brats, centers on a pop culture watershed moment in the 1980s when Hollywood discovered teens and young adults on dates were the ones buttering their bread.

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Elliot Strunk Elliot Strunk

See You on the Flipside

There’s a whole category of stuff we all collect without even noticing it. Orbiting around us like cosmic trash, tagging along for the ride. The documentary Flipside charts one man’s struggle to close the circle with all of his aborted video projects, cast against the backdrop of a New Jersey record store.

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Elliot Strunk Elliot Strunk

Get Collectin’ or Die Tryin’

Think about it for a minute. You collect something, don’t you? Beanie Babies, baseball cards, comic books, autographs—there’s something in your house, your garage, or maybe even your soul that you’ve decided is worth amassing.

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Elliot Strunk Elliot Strunk

Two Designers Walk Into a Bar Podcast Wins GDUSA’s Digital Design Award

The acclaimed podcast, Two Designers Walk Into a Bar, has been honored with an American Digital Design Award from Graphic Design USA magazine. The podcast, hosted by designers Todd Coats and Elliot Strunk, was noted for its innovative approach to promoting the stories behind design, creativity and craft.

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Elliot Strunk Elliot Strunk

When Bad Art is Secretly Good - Part 2

Okay, so Warhol was using his work to recombine the familiar in new ways to make a statement and help us see something again for the first time. But he’s been gone since 1987. It’s been a minute. So who is our “Warhol" now? We propose three potential candidates.

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Elliot Strunk Elliot Strunk

When Bad Art is Secretly Good - Part 1

We hope you’ve been enjoying our recent series about Andy Warhol. We’ve tried to bring to life a person plenty has been written about, talked about and filmed, while still being enigmatic to even close friends. So how was Warhol able to crack the code and begin making fine art that was also thematically accessible to the typical suburbanite?

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