Video may have killed the radio star, but it poured gasoline on the spark of New Wave. As MTV exploded, youth culture moved to center stage and companies making wearables were more than happy to cater to changing tastes. In this episode we focus on Vans and Swatch, a couple of iconic fashion accessories found on the wrists and feet of Gen X.

If New Wave was a style and attitude, television was how it was delivered to the masses. In this episode, we talk about two important touchstones during one of pop culture’s signature eras: the launch of MTV and the debut of Miami Vice.

If New Wave was a style and attitude, then music was the delivery device. In this episode we discuss the political climate, creative activity and DIY attitudes that led to the formation and rise of one of pop culture’s signature eras.

As we work on research for our upcoming season, we’re not going to leave you waiting at the bar. Grab your beverage of choice and enjoy the specials from our archives.

In this episode, we discuss two educational products that were found in the pages of comic books for, literally, decades. It’s the rubber chicken, everyone’s favorite prop, versus the timeless humor of the whoopee cushion. Don’t sit on this one. We’re all about to learn a thing or two…

In this episode, we discuss two educational products that were found in the pages of comic books for, literally, decades. It’s Charles Atlas and his Dynamic Tension versus the guidance of Art Instruction Schools. Grab a drink. We’re all about to learn a thing or two…

In this episode, we discuss two educational products that were found in the pages of comic books for, literally, decades. It’s Sea Monkeys versus the Ant Farm. Buckle up. We’re all about to learn a thing or two…

Andy Warhol once said, “The key of the success of Studio 54 is that it's a dictatorship at the door and a democracy on the dance floor.” We begin this episode with Steve Rubell and Ian Schrager on the evening of April 26, 1977 as they open the doors to Studio 54, smack-dab in the middle of the glitter and grime in and around Midtown Manhattan.

In this episode we continue with the second half of our conversation about Warhol’s anti-films. We talk about lonesome cowboys, sexploitation, screen tests, and how the Factory scene was ripped off for a much more mainstream Oscar-winning movie — which didn’t make Andy very happy.

The Factory scene produced all sorts of art, including films. We start with Warhol’s anti-film Sleep and dive into underground movies from the period and The Factory’s influence on them.

Andy Warhol elevated music album art to a new level. Building on our last episode, we talk about Andy’s influence on other "special" treatments of albums that make having the real thing worth the effort. The Rolling Stones make an appearance.

Beginning with the backstory of one of the most iconic albums of all time, 1967’s “The Velvet Underground and Nico,” we return to The Factory scene as it was becoming commercially successful—but no less of a sideshow—as musicians come calling for new ideas or simply hipster art cred.

We reached out to Kate Christensen after reading an article she wrote about marketing and nostalgia. We talk toys, food and childhood memories among many, many topics. So grab your favorite feel-good drink and join us in the bar.

This episode wraps-up the chronicle of The Factory’s downward slide. Drella has made the scene at The Factory and there has been some fallout. A script entitled “Up Your Ass” led to Andy Warhol barely cheating death at the hands of its author, Valarie Solanas.

This episode begins the chronicle of The Factory’s downward slide. If you work with and entertain people living on society’s fringes, things happen…some good, some not so good.

We wrap-up the second of our two episodes by talking about just how high (pun intended) the Silver Factory could get.

We begin with the first of two episodes talking about the rapid and unprecedented success of Andy Warhol’s Silver Factory. It was part studio, part party palace and part crash pad for tripping pop stars, street gurus and suicidal Superstars.

Easily New York’s most successful commercial illustrator, Ambitious Andy wanted to be accepted in the hoity-toity fine art world. Unfortunately, he found that would take a little time and the right moment.

We begin our fourth season with an introduction to the cultural chaos of the mid-1960s, when Warhol found himself in the right place at the right time.

Pepsi announced it’s moving forward by moving backwards (sort of), returning to more of a traditional look for their logo and cans. But as they kick their last logo to the curb, we go back in time to discuss how they became saddled with this burdensome brand look in the first place.